The Script Book
Every word, every joke, every music cue. Plus why each line is there, how the structure works, and the alternate effects I tried and why I pulled them.
CASE FILE No. 01 · COMPLETE CORPORATE SHOW
My one-man murder mystery, with magic, mentalism, comedy and music. It’s the show that books even after a planner tells you, “We had a magician last year.” Now you can perform it.
The problem with corporate rooms
Oh, the magician we had last year did that.
Corporate groups pay well, book all year and let you perform sophisticated material. They’ve also seen it all. I’ve heard that line far too many times.
You could invent a full hour of effects nobody has ever seen. Good luck. Or you can take proven audience-pleasers and set them inside a story so strong the room stops seeing a “magic show” and starts seeing live theater.
That’s what Murder By Magic is. It took me almost three years of scripting and tweaking, and it’s the best script I’ve ever written.
The plot
A scripted phone call kicks off the plot before you say a word.
Guests are deputized. Magic and mentalism turn up the clues.
The room finds out, literally, whodunit.
My original take on a mentalism classic, framed as the plot twist. It’s the climax of the whole show.
Guests step into roles, with zero acting required:

Why it books
There’s a story the audience can follow, so planners see the value instantly. Most of my hypnosis inquiries switch to this show once I explain it.
What’s in the case file
Every word, every joke, every music cue. Plus why each line is there, how the structure works, and the alternate effects I tried and why I pulled them.
Three effects I created for this show, including the plot-twist climax. Together they run about 22 minutes, roughly 40% of the show, and all three pack flat in a briefcase.
Custom side banners that transform mid-show to announce the murder mystery. Rights included, with no reference to me, so you use them as-is. Plus where to print them and a setup video.
A produced, scripted phone call between you and a caller. It opens the show and starts the plot in style.
Email me as often as you like. Fitting in a pet effect, marketing the show: just ask. If someone else performs my show, I want it done well.
The home version.
The big-stage version, with backdrop and banners.
The fly-in version, no expensive props.
Your investment
I regularly book this show at $2,495, and I’ve performed it for $3,500. Many of us pay more than this for a single effect that runs five minutes. This is a complete hour, marketed and supported.
About 55 to 60 minutes, which fits the typical after-dinner slot.
No. There are versions with no expensive props at all, and one that fits in a briefcase. The banners and backdrop are for when you want more production value.
I fully teach the three effects I created, about 40% of the show. Most of the rest are effects you can buy, so I tell you how each one ties into the story and give you alternatives that slot right in.
Yes. Once you understand how it works, it adapts easily to colleges, fundraisers and shows in people’s homes.
Email me. There’s no limit. I’d rather answer fifty questions than see the show performed badly.